The What If’s
Years ago, starting in my late teens and extending for another decade, my life was devoted to the music and record industry. I started by managing a local progressive rock band, then added another band, and gradually (and simultaneously) worked full-time, first as an administrative assistant, then as a publicist and event planner. Eventually, I made the great leap of faith and started a small record company. My first act was D., an acoustic guitarist, who was also a member of one of the bands I managed/booked/publicized. We were good friends (yes, males and females can share relationships without sex!), and I had implicit trust in both his music and his judgement. At a later time, I may write about the making of D’s first album … as I want this account to focus primarily on the current. Briefly, the album was produced, released, and when I started to arrange interviews, and make plans to book D. as a solo artist, he withdrew. There were no disagreements, he just slowly backed away, stopped returning calls, and we drifted apart. I had another act to produce, but my financial backer (i.e. husband) scoffed at tossing any additional money in what he felt was a losing proposition, and I eventually gave up, and shuttered my fledgling music empire. A few years after that, I started to notice that D. was once again performing. Periodically, I would do an online check of his status, and more recently, it appeared that his career had taken him far – garnering a Grammy and other accolades for his finger-picking style of guitar playing. I was pleased for his success, but also a bit hurt that I had been the first to take a major gamble on him, yet had not heard from him at all.
Through the years my life had taken a very different path from those record industry days as I have spent them caring for ailing aging parents (I’m an only child), and parenting (including homeschooling) a child with Asperger’s Syndrome. I went to graduate school to study psychology, whereby I practiced psychotherapy, authored a book on homeschooling children with special needs, and served as a consultant for the latter population. But, also through those years, I have often played that unpropitious game of “What if …” wondering how different life may have been had I continued with the music industry, and especially with D. Listening to his album, I have often found myself transported back to a previous time, and I come away heartened to find his music still relevant. I decided I wanted to experience another one of his performances … in 2010. 
Most might be put-off at the notion of attending a music concert in a church facility. Initially, that was my first reaction upon reviewing D’s itinerary to learn that he would be performing at a nearby church in Long Beach. But, I have attended and performed in a number of such concerts as a member of high school and college choirs – some of the latter with D. And, the venue did not bring me to pause – until I actually arrived there. The concert was held in the church itself … with an enormous cross on the wall, while the audience sat in the pews (do Protestants also call them ‘pews?’). I sat almost all of the way in the back, beneath an under-hang where it didn’t feel so much like being in church. The director of the music ministry came out on the sanctuary (stage?) to introduce D. and the other half of his guitar duo.
I have not heard D. perform in 20+ years, but given that he has won a Grammy, I just assumed that his talent has progressed naturally. That his compositional abilities would have exponentially expanded to the point where I would just be blown away. The set began with a song (unknown title) that took me back to the melodic musings that I came to associate with D.; except that now, there were two guitarists. I was buoyed, thinking that this was only a sampling of what was to transpire over the next 90 minutes. Unfortunately, this first song was the high-point. Technically, his finger-picking stylings remain sound. But, if I had been told in 1985 that the D. of 2010 would be performing gigs of cover material, I would have proffered a derisive row.
The songs ranged from “Nights in White Satin” by the Moody Blues to the theme from the Disneyland attraction, “It’s A Small World,” and “Viva Las Vegas” (aka The Viagra Song). I should have left when they broke into “Mr. Sandman,” as I still haven’t been able to get that unfortunate song to stop playing through my mind. The performance of original material – by D. ( or his music partner), were limited and not the least indicative of what I know him to be capable of producing. Their folksy stage banter filled with private jokes exchanged with friends, as well as their record company staff, left me feeling as if I was in someone’s living room watching old movies replete with revisionist family commentary.
But, D. seemed very comfortable infusing his musical genius with the down-home schtick, and his audience seemed enthralled. Except for me … who was expecting his 2010 presence to rival an infusion of the quiet, but powerful demeanor of an Andés Segovia, with a Peter Gabriel (one of D’s music heroes) edginess. Unfortunately, what I got was “Hee Haw.”
D. was once an incredible talent, and I suspect that it still resides deep within him … someplace. I sincerely hope that the old D. can somehow find his way back to that path that he once strode with so much authority.
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The photograph that accompanies this blog entry is not of the musician mentioned in the content. The photo is of the rock group, America, which I shot in the 1970s.




